Dark Keepsakes – Heads and Hearts

heart

It isn’t uncommon for people to hold on to keepsakes from loved ones who have passed away in order to remember and feel close to them. Some cultures, take this idea a step further by literally keeping pieces of the deceased:

In some cultures, the physical remains of a loved one is intended to comfort the bereaved. New Zealanders embalmed the heads of family members by removing the brains, stuffing the cavities with flowers, baking them in the oven and drying them out in the sun. The relics were kept in baskets, scented with oil, and brought out on special occasions during which their relatives would cry over them. (source)

There are some fairly mainstream examples of this kind of keeping of the dead, from some unexpected places. When Mary Shelley died, the heart of her deceased husband Percy Bysshe Shelley was found in her desk wrapped in a silk handkerchief. He died nearly thirty years before her. Sir Walter Raleigh‘s widow had his head embalmed after his execution, which she kept until her own death many years later.

Though there are different motivations behind it, more recently, the preservation of human bodies has seen a resurgence in traveling exhibitions like Body Worlds, which showcases human bodies stripped of their skin and preserved using a process called plastination. Another exhibition called Bodies infers something darker about the origins of some of these corpses. The exhibition contains “21 preserved human cadavers, along with 250 organs and partial-body specimens,” all of which are Chinese homeless citizens who, sadly, had no one to claim or bury them after they died.

If anything is macabre about our ongoing history with the dead, it must be this more recent disregard for the nameless, unloved and unclaimed rather than the desire of earlier people to keep their dear ones close.

Bleeding Hollow Heart by Skesis.

The Love of a Powerful Woman

imelda

Recently David Byrne announced a new collaboration with Fat Boy Slim called Here Lies Love inspired by the ‘steel butterfly’, Imelda Marcos. The collection, set to be released in February 2010 presents Marcos “meditating on events in her life, from her childhood spent in poverty and her rise to power to her ultimate departure from the palace. In particular, the production looks at the relationship between Imelda and a servant from her childhood, Estrella Cumpas, who appeared at key moments in Imelda’s life.” (source)

Marcos was the first lady of the Philippines in the late 1960s. One of the most hated women in politics in the last half century, she was appointed various powerful positions in her husband’s government after he declared martial law and abolished the constitution, allegedly squandering away money belonging to the people of the Philippines to buy property in New York, fur coats and shoes.

Marcos was criticized for spending hundreds of millions of dollars on high-profile infrastructure projects that did little to alleviate poverty and were beyond the reach of ordinary Filipinos … By 1985, it was estimated that the Philippine government had acquired more than $28 billion in foreign loans, much of it during President Marcos’ 20-year rule… On March 10, 2008, [Marcos was] acquitted of 32 counts of dollar salting (involving £430m in Swiss bank accounts) due to reasonable doubt. Marcos stated: “First of all, I am so happy and I thank the Lord that the 32 cases have been dismissed by the regional court here in Manila. This will subtract from the 9001 cases that were filed against the Marcoses.” Her lawyer Robert Sison said that she has 10 pending criminal cases remaining… (source)

Why Marcos? According to Byrne, “The story I am interested in is about asking what drives a powerful person—what makes them tick? How do they make and then remake themselves? I thought to myself, wouldn’t it be great if—as this piece would be principally composed of clubby dance music—one could experience it in a club setting? Could one bring a ‘story’ and a kind of theater to the disco? Was that possible? If so, wouldn’t that be amazing!”

Imelda Marcos image by Billypalooza.

Modernising the Retro Kitchen

retro-kitchen

Thom Vernon, co-founder of The Big Chill line of retro-inspired kitchen appliances was inspired by what modern, stainless steel appliances don’t do (you can’t use magnets on them), as much as his desire for a cool kitchen:

The story goes that Thom and his wife were dreaming up a design-conscious retro kitchen that had modern functionality and vintage personality. “With our kid’s artwork and school photos always proudly displayed, we didn’t want the refrigerator to look out of place. The ubiquitous stainless steel appliances weren’t the right fit and we wanted to steer clear of the dreaded ‘white box’.” While they liked the look of the mid-century models, most were too small, inefficient, and required painstaking hours of chiseling to defrost. (source)

The results, though pricey (the cheapest fridge starts at over $2,600 USD), are beautiful with a candy shop of beautiful powder coated painted colour exteriors. Although they look like they are straight out of a 1950s kitchen, they have all the convenience of the modern appliance: built-in ice makers, they are Energy Star rated and, if you aren’t satisfied with their colour range, they will do a custom paint job.

The Big Chill appliances also have a metal exterior so, yes, they are also very magnet friendly.

Image from The Big Chill Kitchen Gallery.

Joseph Hudson: Inventor of the Police and Referee Whistles

Metropolitan Police Whistle

Joseph Hudson set up a whistle factory in Birmingham, England in 1870. Around 1878, his Acme whistles were the first to replace the handkerchiefs and sticks of football referees.

In 1883 the Home Secretary invited competition from companies to replace the hand rattle that the London Metropolitan Police of the time relied on. Joseph Hudson, basing a new whistle on the sound he had heard when a violin broke from a fall, was awarded the contract for over 7,000 whistles. During testing on Clapham Common, the sound of the whistle was heard over a mile away.

In 1884, the company continued their whistle revolution, inventing the first reliable pea-whistle, the Acme Thunderer, which is still the most popular whistle today and has sold in the hundreds of millions.

Police Whistle photograph by Leo Reynolds

The Poppy: Design of Remembrance

Poppy

November is a month now associated with the Poppy, a symbol of remembrance and appreciation of the sacrifices made by past generations, and in the last few years, our own contemporaries. A classic and simple design, the Poppy as a logo is instantly recognisable, as well as a way people can display their own appreciation of this military sacrifice for our own freedoms. The Poppy Appeal has successfully used this flower as an effective iconic design of simple poignancy.

Amidst the carnage and devastation of the battlefields of the First World War, the poppy flower was seen growing amongst no man’s land, and carved such an impression on the mind of a serving doctor, John McCrae, he wrote the famous poem: “In Flanders’ fields, the poppies blow…”. This poem inspired an American War secretary, Moina Michael, to start selling poppies, the proceeds going to the ex-Service community. And thus the Poppy Appeal charity through the British Legion was born.

The first Poppy Day was in 1921, and has remained a tradition every November since. In 1922, Major George Howson, founder of the the Disabled Society (established to help disabled ex-Service men and women from the First World War), suggested to the Legion that members of the Disabled Society could make the artificial poppies sold for the charity. Subsequently, the original artificial poppy was designed so that disabled workers could manufacture it with ease, especially so that it could be made by a worker with only one hand.

The simple design was, therefore, mostly born from a necessity of easy assembly. As with a lot of great iconic logos, less is more. The blood red is striking, and yet the Poppy’s soft edges portray a powerful message of beauty amongst the destruction – of life amongst the dead. And lest we forget.