Passion for the Pong

marty

Last year a group of youngish New York hispsters (and actress Susan Sarandon) opened what appears to be the world’s first nightclub devoted to the sport of ping pong. SPiN, located in Manhattan, ensures exclusivity by having a niche group of members who pay $650 per year individually or $900 for a family to be afforded access to the club during special member-only nights. Non-members can also book tables and use the club during weekly open-house hours. According to their website,

SPiN New York is a 13,000 square foot table tennis social club on Park Avenue in Manhattan’s Flatiron District. The club offers unparalleled table tennis courts with Olympic quality cushioned flooring and 13 individual tables, including a stadium-like center court. In addition, SPIN New York houses a pro shop, lounge, bar, private room … and over a dozen internationally known professional coaches and players who are available for private and group instruction.

One of these coaches is Wally Green – a 20 something, freestyle rapper and ping pong savant. He is one example of how the profile of ping pong has evolved from that of the bow tie wearing Forrest Gump to a new breed of young, hip urbanite. Although some of the old pros like Marty Reisman (pictured above) still chew up the tables, you are more likely to run into the likes of the Beastie Boys or model Verionica Webb tossing back a martini while hitting the ball back and forth in their Vans and Manolos (respectively).

Image of Marty Reisman (table tennis champion) by Tyler Askew of Maround.com.

Dear Donna – How a Pin Up Girl Joined the Anti-War Movement

donnareed

Donna Reed was a beautiful American actress who was probably best known for her role as Mary Bailey, the long suffering wife of George in It’s a Wonderful Life. During World War II, she became a very popular pin-up for soldiers overseas – she visited army bases overseas a number of times and corresponded regularly with soldiers on active duty. Although her daughter said she never spoke of the letters she received, when she passed away of cancer in 1986 at age 64, her family found hundreds of these letters stored in her attic:

All told, Ms. Reed held on to 341 letters, some typed but many written in the kind of elegant … method cursive script rarely seen today. Taken as a whole, the correspondence offers a candid glimpse of a vanished era, a time when six hard-bitten Marine sergeants could write that “we think you’re swell” and mean it in something other than an ironic sense … Gauging the impact that the letters had on Ms. Reed is difficult. “I knew she had feelings about her country and participating as a concerned citizen,” Ms. Owen said. But, she added, her mother did not talk about the letters. Ms. Reed lamented to a female pen pal in 1942 that “my effort to win the war hasn’t amounted to much” and “I wish I could find more to do.” (source)

Later in life, and perhaps because of the impact the war and these soldiers in particular had on her, Reed became active in the anti-war movement as a prominent member of the group Another Mother for Peace (AMP). The group is still very active active and shares information such as the recent United Nations report Silence is Violence, End the Abuse of Women in Afghanistan (PDF), encouraging members to act speak, write and act out to encourage peace.

AMP’s Pax Mantra has been a cornerstone for women protesting against war in the United States for decades, including when Reed was a member. This simple, but powerful statement ends, “they shall not send my son to fight another mother’s son. For now, forever, there is no mother who is enemy to another mother.”

Donna Reed image by BooBooGB

J.D. Salinger, Famous Shut-ins and Hikikomori in Japan

1hikikomori

The death of writer J.D. Salinger last week renewed the public’s interest in his reclusive life-style. According to most accounts, Salinger lived a fairly conventional life until after the publication of his most well-known work The Catcher in the Rye – some claim that he actively sought fame and success until he found it and, with no explanation, retreated. He’s in the good company of other famous recluses including: Harper Lee, Lauryn Hill and Bobby Fischer.

Perhaps because the very nature of anti-social behaviour is a closing off from society, it remains something that very few people understand, including those in the medical community. In recent years, pathologically reclusive behaviour has become such a phenomenon in Japan that it has been given its own name: hikikomori. Although his figures are disputed, psychologist Tamaki Saito has estimated that “there may be one million hikikomori in Japan, representing 20% of all male adolescents in Japan, or 1% of the total Japanese population.” According to a fascinating profile of hikikomori in the New York Times, “though female hikikomori exist and may be under counted, experts estimate that about 80 percent of the hikikomori are male, some as young as 13 or 14 and some who live in their rooms for 15 years or more.”

Unlike most of the young hikikomori of Japan, Salinger did seem to reach out to people – he was married a number of times and had two children. Time and again, these relationships tended to be fraught and often ended abruptly. Salinger’s daughter Margaret published a memoir about him and wrote, “His search . . . led him increasingly to relations in two dimensions: with his fictional Glass family, or with living ‘pen pals’ he met in letters, which lasted until meeting in person when the three-dimensional, flesh-and-blood presence of them would, with the inevitability of watching a classic tragedy unfold, invariably sow the seeds of the relationship’s undoing.”

J.D. Salinger’s version of events? “You can’t ever find a place that’s nice and peaceful, because there isn’t any. You may think there is, but once you get there, when you’re not looking, somebody’ll sneak up and write “Fuck you” right under your nose.” (source)

Image from Strawberrymilkchocolate.

Apple Tablet: Historic Predecessors

Apple Tablet Predecessors

Details of the Apple Tablet will be released this week. A quick Google Patent search throws up a number of predecessors, though hopefully Apple’s attempt will be more portable than the 1964 version (left), and more stylish than IBM’s early 90s tablets (middle and right).

Humphrey Jennings

Humphrey Jennings

Humphrey Jennings

A new exhibition at South Wales based Ffotogallery looks at the work of Humphrey Jennings, the English documentary film maker during the 1940s. The exhibition focuses on his 1943 propaganda film The Silent Village, set in Wales but based on Nazi atrocities in Czechoslovakia.

Humphrey Jennings has often been edited out of analytical cinematic theory, yet his influence should be appreciated as a critical figure in British war-time film making. He was called not only a film maker, but “a poet, a painter, an intellectual and an anthropologist”.

After graduating from Cambridge University with a double First in English, Jennings worked as a painter, photographer and theatre designer. In 1940 he joined the GPO Film Unit, which became the propaganda film branch of the Ministry for Information. Jennings’ films may remain in shadows of appreciation, but their importance to British cinema are paramount. Listen to Britain is often regarded as one of the best British films ever made. However, The Silent Village is perhaps one of his most powerful works.

In the Czechoslovakian mining village of Lidice, on June 10th 1942, 340 villagers were murdered by the Nazis. It was a shocking massacre of human life, either by firing range or suffering the horrors of the gas chambers. The barbaric act sent waves of anger and sympathy across the western world. Just days after Lidice, the Ministry of Information and Jennings set to work on a propaganda film based on the events, only set in the South Wales mining village of Cwmgiedd near Ystradgynlais. Using real villagers of the South Wales community, the miners felt a strong connection to their Czech counterparts.

The drama-documentary film is almost underplayed. Jennings does not use violence or action, which makes it all the more effective. We are shown Nazis taking control of the Welsh village. There’s a clever montage of shots – particularly of the small details – which emphasise the lives of the people, the reality. This is then alongside images and audio (one of Jennings’ technical strengths) of menacing messages to the villagers. The Welsh language is banned; the songs, are forbidden. Slowly, the oppression and fear creeps towards the front; the menace and threat seeps through the threads of mundanity to almost an inevitable horrifying conclusion. The line of innocent children, holding hands, being lead off towards a terrifying fate is one of the most potent scenes in British cinema. Jennings ends the film with the singing of the Welsh National Anthem, sung stoically. It is this British spirit that is captured so triumphantly and sensitively by the director.

That Jennings tragically died so young – in an accident in Greece in 1950 – arguably robbed British cinema of one of its finest ever talents. Like the lives of the people Jennings set out to portray in his films, Jennings himself is remembered in these very works. The poignant drama-documentary film The Silent Village is not only a cinematic tribute to the tragedy in Czechoslovakia, but also a lesson in how propaganda media is still important to study now, for it documents the past, illustrates what we could have lost; a reminder to us all of how these atrocities could easily occur close to home, to anyone of us, wherever we are.

The Silent Village exhibition at Ffotogallery, South Wales runs from 16th January to 27th February 2010.
Illustration by Sian Prescott

Types Of BBC TV Programme

Types of BBC TV Programme

The BBC make the data available for their TV and Radio output. The graph above summarises the type of output you’d be exposed to by watching BBC1-4 for the 7 days that started on 5 February, 2010. There are many more categories mentioned in the data; the graph only includes categories that make up 1% or more of the output.

We have to conclude that the BBC know what the people want, and this reflects our needs. We want more soap opera than insight, more quizzes than programmes that inform, and more sports than advice. A cynic might suggest that this is a poor reflection on modern society, yet it more likely points to the main use of the TV medium, as an easy escape at the end of a stressful day.

Henrietta Lacks and the Tragic Story of Medical Ethics, Racial Politics and Health Care Reform in America

immortal-life

For months, the world has watched eagerly as Obama has tried to navigate the juggernaut of health care reform in the United States. I’m from Canada and I currently live in the United Kingdom, both countries with a long and ardent history of public health care. Maybe that’s why I don’t understand how such a great number of people can be so opposed to the idea that everyone deserves to be able to see a doctor when they are unwell. As recently as today, the Senate is giving no indication of when the watered down Plan B will be passed or when millions of uninsured American citizens can expect some support from their government.

In light of all that is going on with health care reform, Rebecca Skloot’s book The Immortal Life of Henrietta Lacks becomes all the more poignant, relevant and sad. It’s the true story of a woman who has been largely ignored by the people who write history, despite her involuntary but undeniably great contribution to science over the last century. The reasons for her omission are complex, and no doubt begins and ends with the fact that she was a “poor and largely illiterate Virginia tobacco farmer, the great-great-granddaughter of slaves. Born in 1920, she died from an aggressive cervical cancer at 31, leaving behind five children. No obituaries of Mrs. Lacks appeared in newspapers. She was buried in an unmarked grave.” (source) Her cancer was extremely aggressive and at some point, without her knowledge or consent or that of her family, cells (now called HeLa cells by scientists) were taken from her diseased cervix and have been used as the basis for medical invention for decades.

There are … “trillions more of her cells growing in laboratories now than there ever were in her body.” Laid end to end, the world’s HeLa cells would today wrap around the earth three times. Because HeLa cells reproduced with what the author calls a “mythological intensity,” they could be used in test after test. “They helped with some of the most important advances in medicine: the polio vaccine, chemotherapy, cloning, gene mapping, in vitro fertilization” … HeLa cells were used to learn how nuclear bombs affect humans, and to study herpes, leukemia, Parkinson’s disease and AIDS. They were sent up in the first space missions, to see what becomes of human cells in zero gravity. (source)

The only reason anyone knows about Henrietta Lacks’s contribution is because, decades after her death, doctors began to take blood samples from her surviving relatives to be able to better understand and study HeLa cells. Today, many of her relatives are living in Baltimore and, like Lacks herself did, they struggle to get by. Despite this, they are luckier than Lacks’s daughter who was institutionalised in what must have been a hellish facility – The Hospital for the Negro Insane – where she died at the age of 15. The story defies imagination and inspires disbelief, followed by a combination of anger and horror. According to Skloot’s research, the medical tradition has a long history of experimenting on African Americans in the name of science.

What does this have to do with health care reform?

Says one of Henrietta Lacks surviving sons, “She’s the most important person in the world, and her family is living in poverty. If our mother was so important to science, why can’t we get health insurance?”

Indeed.

The Immortal Life of Henrietta Lacks book jacket image curtosy and copyright of Rebecca Skloot.

Robert McGinnis: The Art of the Femme Fatale

Robert McGinnis - The Lion House

Robert McGinnis is a prolific American artist, responsible for illustrations adorning the covers of over 1,000 paperbacks. Much of his work concentrates on the crime/mystery genre, which features alluring, semi-naked women, as clearly demonstrated in the Robert McGinnis Flickr pool.

His talents are also employed for movie posters. Among the most memorable of his film output to date are the posters for Breakfast At Tiffany’s, The Man With The Golden Gun (along with many other James Bond posters), and the collectable cult-classic poster for Barbarella.

A recent documentary, Painting the Last Rose of Summer (2008), beautifully captures his story and creative process.

The Lion House photo by Flickr user Olivander

Murder Inc. – The Psychology of the Battlefield

guns

The February 2010 issue of Vanity Fair has a great profile on a US military sniper called The Distant Executioner. Although the piece focuses on one man in particular, it delves into the politics and psychology of killing the enemy by sniper fire as opposed to killing at close range during combat.

In 1947 an army general and historian named S.L.A Marshall conducted a study and extensive survey that uncovered that “up to 85 percent of frontline American riflemen had not fired their weapons in combat – even when under attack and at risk of being overrun.”

He attributed low firing rates to an instinctive aversion to killing at close range, when the potential victim is clearly identifiable as another human being. At the vital moment, Marshall wrote, the rifleman becomes a conscientious objector… Numerous independent studies have since found similarly low firing rates among Japanese and German riflemen, as well as among the frontline soldiers of World War I, the American Civil War, and several other conflicts. For whatever reason, the Pentagon took Marshall on faith and initiated a decades-long human improvement campaign. By the Korean War in the 1950s, surveys showed that fully half the frontline riflemen who saw the enemy fired their weapons in response. In Vietnam, the number rose to 90 percent … Of course, to fire at someone is by no means to hit him. The 90 percent figure was undermined by a significant number of intentional misses, and it was inflated by a battle doctrine called ‘Quick Kill’, which taught American soldiers to spray masses of automatic fire rather than take careful aim. As a result of that doctrine, in Vietnam U.S. infantrymen fired 50,000 rounds of ammunition for each kill they made – a ratio that would have encouraged even conscientious objectors to go ahead and shoot.

This all leads up to the discussion on snipers, also referred to as ‘Murder Inc.’. In comparison, snipers with their advantage of being able to kill from a distance expended only 1.39 rounds for every Vietnamese killed.

“Big Gun” Susan image by ttstam.

iPhone Users Keep Snow Reporting Honest

snow

In June 2009 Jonathan Zimman and Eric Ztizewitz from Dartmouth College published an interesting study called Snowed: Deceptive Advertising by Ski Resorts. In the report they present extensive research that demonstrates a level of deception in how ski resorts are skewing the data they post to their websites, which are “collected by aggregators and then rebroadcast over the Internet and via print and broadcast media.”

Among other things, they found that on average, “ski-resorts self-report 23 percent more snowfall on weekend [but] there is no such weekend effect in government precipitation data.” The reason? People are more likely to go skiing or snowboarding if the snow is good. The report goes into a range of risks and benefits in using this practice – while they may end up with more people  turning up and paying to ski, they also risk angering people with their dishonesty, resulting in bad PR and a low rate of returning customers.

One of the most interesting findings of the report is that, where reception exists, the use of the iPhone forces resorts to be more honest about their reporting. Increasingly, skiers and snowboarders are using their iPhones to comment on weather conditions on the slopes in real time. This does two things:

1. It forces the resorts to keep their data in check so that it doesn’t look blatantly false compared to other reports.
2. It gives skiers and snowboarders a source of weather information from other users who do not have a vested interest in making money off of them.

Just another example of the value of user generated data and content. It keeps the money makers honest.

Snowboarding – 326 image by Boolve.