Eccentric Torments – The Glass Delusion

I am in the thick of reading Brian Dillon’s excellent book Tormented Hope: Nine Hypochondriac Lives. There is an interesting passage on an imagined affliction I’ve never heard of before:

In the history of such eccentric torments, none is stranger or more instructive than the so-called ‘glass delusion’. From the late Middle Ages onwards, this remarkably specific and consistent notion appears time and again in the literature on melancholia and hypochondria. The patient, as the reader will have surmised, fantacies that he or she is made of glass, either in part or in whole. (In a series of related delusions, patients may imagine that they have lost limbs, that they have been turned into animals, that they are dead, that they do no exist or, as in the case of an unforuntae baker who was afraid to go near his oven, that they are made of butter.) This has predicatable consequences: the ‘glass man’ fears for his physical safety, avoiding not only hard knocks but in some cases any touch at all from another person, as well as such delicate operations as sitting or lying down. The broad outlines of the delusion – imagining that one is made of a brittle

substance – were not unknown to antiquity: classical accounts of earthenware men abound, but the spread of glass in the Early Modern period brought with it the possibility of thinking oneself made of less sturdy stuff …

The book features famous hypochondriacs including Darwin, Florence Nightengale, Charlotte Bronte and Andy Warhol, with a particular focus on the specific kind of craziness so completely epitomized by the Victorians. It’s a very interesting read.

Image: Broken Glass by Davetoaster

Hard Men/Soft Deaths – Wyatt Earp

Despite the expression “what comes around, goes around” there are a group of outlaws who had surprisingly soft endings, despite having lived extremely hard, dangerous and, in most cases, crime ridden lives.

During his eighty years of life, Wyatt Earp earned the reputation as one of the most fearsome cowboys in the West. Fluctuating between legitimate lawmaker and criminal, Earp’s claim to fame is his participation in the famous gunfight at the OK Corral in Tombstone, Arizona and his ongoing series of vendettas, most notably the Earp Vendetta, also referred to as the Arizona war. At various points in his career, Earp also worked as a “farmer, teamster, buffalo hunter, gambler, saloon-keeper, minder and boxing referee.” (source)

There are conflicting records

of how many people Earp killed during his wild old days, but there are some records that place the number somewhere between eight and over thirty (source):

  • Seattle Post-Intelligencer, July 1900: “Wyatt Earp is credited with ten men, one of them his own brother-in-law.”
  • G. W. Caldwell in the introduction to his interview with Wyatt, 1888: “[Wyatt Earp] Has killed more than a dozen stage robbers, murderers, and cattle thieves.”
  • Los Angeles Tribune, July 1888: “[Wyatt] Earp has a cemetery which he has stocked with over 30 men, and no one seemed desirous of questioning his word.”

Despite his life of debauchery, Earp had a rather peaceful death in Hollywood where, at the age of 80, he died at home of prostate cancer (though the actual cause of death isn’t confirmed) with his common law wife at his side. He had a proper funeral with Hollywood Western actors serving as his pallbearers and was cremated and buried in California. When his wife Josie died nearly twenty years later, she was also cremated, her ashes buried next to those of Wyatt Earp. He never returned to Arizona after the battle at the OK Corral.

Image Credit: Richard Beal’s Blog

Are We Witnessing the Trivialization or Democratization of the Web?

Google Search from 2004 Trends

The Google Insights For Search tool provides one method for tracking changes to our culture and priorities. The graph above (click for a larger version) shows the change in volume of global searches for six different categories of query, from 2004 to 2010. Changes are relative to the search volume for each category in 2004, i.e. each category starts at 0% change on the left.

The last six years have seen a noticeable increase in searches for Shopping, Beauty and Entertainment – all rather selfish topics. Conversely, Science, Society and Arts – some might say the more intellectual or cultural subjects – have seen a noticeable drop over the same time period.

To draw any specific conclusions from such generic data would be foolish. However, a pessimist might suggest that this highlights a dumbing-down of society, where we increasingly turn to commercialism and celebrities to fill our time. An optimist might suggest that this data shows how the web has successfully evolved from a limited academic tool in the richest countries to a widespread media that a broad range of people rely on.

The only hard conclusion I’m taking from this is: now’s the time to invest in online beauty companies.

Artes Mundi 2010

This year’s Artes Mundi exhibition opened at the National Museum of Wales, Cardiff last month. Since it’s conception in 2003, the international Artes Mundi scheme (and award) has celebrated and exhibited contemporary New Media Art from a wide range of cultural backgrounds and countries. The idea amongst all, to connect Wales to a global modern art sphere.

This year’s overall theme was ‘Humanity’. Eight artists have been shortlisted for the award, all of whom are exhibited at the museum. The modern works include video installations/films, photography stills, lightbox images and ink drawings – with only one painting.

Highlights include Peru-born Fernando Bryce’s work, which looks at the ways in which print media reports and covers historical events. Bryce questions the perceptions of history and the construction of what we take as fact. He does so by imitating print media and through appropriation of newspapers and various prints. The images he produces are beautifully hand-drawn in ink, and challenge how we read and accept ‘facts’ in the media.

Chen Chieh-Jen uses film and photography to portray working labour, the social history and the working people who have been forgotten amidst growing consumerism. Chen’s stunning film ‘Factory’ is a beautifully shot piece, highlighting the plight of a factory in Thailand, now derelict; a victim of cheaper labour elsewhere. Amongst the ghostly rubble and machinery, he places former workers, silent in their protest at the way they were treated/sacked; forgotten workers, whose toil and mundane drudgery were unfairly ignored. Chen gives them a voice despite their silence, through slow moving camera-shots amongst the cob-webs, the melancholic death of an industry.

The poetic camera-angles of the aesthetic are a stark contrast to the decay of the topic, or indeed, the corruption in consumerism he wishes to portray.

Other exhibits include video installations and works dealing with issues in immigration, post industrialism, collapse of the Soviet Union and the deconstruction of Zionism. With artists from Albania, Peru, Russia and Kyrgyzstan amongst others, the Artes Mundi successfully brings world class art to Wales and illustrates New Media Art’s worth in expressing serious contemporary issues facing the world today.

The Artes Mundi exhibition runs at the National Museum of Wales, Cardiff until June 6th. The winner will be announced on May 19th.

Image by Sian Prescott – of Yael Bartana’s poster Manifesto, which visitors are encouraged to take home with them.