
Listen to a minute of this, from about 0:50 onwards: The Swedish Rhapsody (MP3).
This spooky sound is sampled from a Numbers Station. Hundreds of these shortwave radio stations exist around the world, transmitting numbers, letters, beeps and simple tunes. Their origin – and ongoing transmissions – still largely remain a mystery.
Are they secret codes and directives for spies in foreign countries? Are they sources of misinformation to distract the enemy? Perhaps messages between druglords? Hoaxes by amateur enthusiasts? The answer is probably: yes, all of these, and more besides.
The Conet Project sampled 150 transmissions from 20 years and released them on a 4CD set (“Not available in stores!“, I suspect). This is currently “out of stock”, but the recordings are also available on archive.org, should you wish to disturb yourself some more.
You can read more about Numbers Stations on Damn Interesting, and Boing Boing’s coverage of the copyright fight between The Conet Project and Wilco, who used a sample of the recordings on their Yankee Hotel Foxtrot album. Wikipedia also has entries for some individual stations, including The Lincolnshire Poacher, Cherry Ripe, and UVB-76.
Lego spy photo under Creative Commons license from Flickr user Dunechaser.

It’s frustrating how the media, hungry to fill their 24-hour schedule for thousands of television and online outlets, so easily present the hissy-fits and staged faux dissention of music celebrities as acts of rebellion.
I’d like to highlight some of the exploits of a real revolutionary: Bill Drummond. Sure, much – if not all – of what he did and does is for the same self-serving publicity purposes, but at least he does it with style and originality. And above all, he takes risks – the real mark of a rebel.
Sources for the following information include Wikipedia, The Independent, The Telegraph, KLF.de and Drummond’s Penkiln Burn website.
- 1977: Recording debut as guitar player with Big in Japan, alongside members Holly Johnson (Frankie Goes to Hollywood) and Ian Broudie (The Lightning Seeds). Later sets up Zoo Records, before becoming an A&R executive for Warners.
- Late 1970s: As manager for Echo & The Bunnymen (EATB), Drummond books tour venues based on the shape they make, “If you look at a map of the world, the whole tour’s in the shape of a rabbit’s ears.”
- 1980s: Ian Curtis, of Joy Division, commits suicide, sending their sales rocketing. Noticing this, Drummond tries to convince the EATB singer to kill himself (Note: another source relays this same story with Julian Cope, rather than EATB, possibly via Drummond’s solo song “Julian Cope is Dead”).
- 1980s: Drummond believes there’s a line of cosmic energy that bounced off Iceland, was channelled down a manhole in Merseyside (England), and exited the other side in Papua New Guinea. He tests this theory by getting EATB to play in Reykjavik while he stands on the manhole cover.
- 1986: Resigns from Warners via a press release, which states that he is nearly 33⅓ years old (33⅓ RPM being the speed at which vinyl albums revolve).
- 1987: Forms the group The Justified Ancients of Mu-Mu with Jimmy Cauty (later, of The Orb), whose first single All You Need Is Love is recorded in a week. The song, and later album (1987), makes blatant use of copyrighted samples, taking “plagiarism to its absurd conclusion”.
- 1987: After a legal conflict with ABBA regarding samples, the 1987 album is forcibly withdrawn from sale. Drummond and Cauty travel to Sweden hoping to talk to ABBA. Unable to get in contact with ABBA, they present the gold disc of the album to a prostitute, who they pretend is Agnetha “fallen on hard times”.
- 1987: Re-releases the 1987 album as “1987: The JAMs 45 Edits”, with all unauthorised samples removed, leaving long periods of protracted silence, and less than 25 minutes of music.
- 1988: Achieves a number one novelty hit, “Doctorin’ the Tardis” under the name The Timelords (with Cauty). It sells over a million copies.
- 1988: Co-writes the book, “The Manual (How to Have a Number One The Easy Way)” with Cauty, detailing instructions on how to create a novelty number one record. This later gets translated into a German stage musical.
- 1988: Drummond and Cauty form The KLF, who go on to pioneer ambient and trance electronic music.
- 1991: The KLF become the biggest-selling singles act of the year.
- 1992: Having received the Best British Group award, KLF perform at the Brit Awards with hardcore metal band Extreme Noise Terror, fire machine gun blanks into the industry-executive-filled audience, and dump a dead sheep at the aftershow party.
- 1992: At their peak, The KLF announce their retirement from the music industry and proceed to delete their entire back catalogue, ensuring no future revenue could be earned from it.
- 1993: Establishes the art foundation, “The K Foundation”, which awards a “worst artist of the year” award to Rachel Whiteread, the same winner of that year’s Turner Prize. Whiteread refuses to collect the £40,000 award – double that of the Turner Prize – until Drummond threatens to set fire to it outside the Tate.
- 1994: The K Foundation withdraws £1 million in cash, the remaining earnings from KLF. After failing to sell it (nailed to a board) to the Tate Gallery for £750,000, they burn it. Drummond later comments, “Our accountant couldn’t write it off as an artistic statement. We had to pay £330,000 extra. Which was unexpected”.
- 1995: Drummond buys A Smell of Sulphur in the Wind by his favourite artist, Richard Long, for $20,000. Six years later, he cuts it into 20,000 pieces (4mm x 11mm each) and sells each for $1.
- 1995: Drives around London on Christmas Eve, distributing over 6,000 cans of lager to the homeless and street-drinkers.
- 1999: Plans to destroy Stonehenge (but doesn’t).
- 2002: Puts up 100 posters in Liverpool, offering to have sex with anyone for £10,000, with a signed testimonial.
- 2003: Launches mydeath.net – a website where you can make preparations for your own death – with the tagline, “Prepare To Die”.
- 2003: Launches youwhores.com, a site for you to “advertise what you are willing to do and the price you are willing to do it for”.
- 2004: Devises an imaginary line from Belfast to Nottingham called “The Soup Line”. If anyone who lives in a town on the line asks him, he will visit and make a hearty vegetable broth.
For more information about Bill Drummond’s latest activities (including The17 Choir), see the Penkiln Burn website.
Photograph of Bill Drummond’s Twinned With Your Darkest Thought sign by Flickr User Squirmelia, under a Creative Commons license.

Poetry has always been passionate and even a wee bit sexy. From Percy Bysshe Shelley’s Kissing Helena, “Kissing Helena, together/With my kiss, my soul beside it/Came to my lips, and there I kept it …” to Dylan Thomas’s In My Craft or Sudden Art, “When only the moon rages/And the lovers lie abed/With all their griefs in their arms …” sex and love have been a natural theme throughout the ages.
In an excellent acknowledgment of this fact, a group called the Poetry Brothel are looking to throw off the shackles of black, itchy woolen turtlenecks and berets, and reclaim the fun, quirky spirit of poetry:
The Poetry Brothel is foremost interested in showcasing a diverse roster of emerging and established poets. However, our events are also interactive performance art pieces based on the concept of the prewar brothels in the United States and Europe. Each night The Madame presents a rotating cast of both male and female poets engaged in a night of literary debauchery and private poetry readings. The poets act as “whores,” making audience members “johns,” but instead of physical intimacy, the poets offer the intimacy of their poetry in private, one-on-one readings. For a small fee, all of the resident “whores” are available for these sequestered readings at any time during the event. Of course, any good brothel need a furtive “front” or cover; ours is part saloon and part salon, offering a full bar with absinthe, live music, live painting, fortune-tellers, gypsies, and gamblers with newly integrated performances and installations from our poets and other artists at each event. (source)
Where can I sign up?
Image: The Poetry Brothel xxx by mirosim

The Whitburn Project is an informal group that collects data about all songs in the Billboard chart, and has amassed a huge amount of information from 1890 onwards. The data is a little inconsistent (due to the nature of mass collaboration) and isn’t 100% complete, but it still allows for some interesting analysis.
Here we present the most successful songwriters of all time and per decade (from the 60s onwards), according to this data. Note that inconsistencies may result in some songwriters having their data split across multiple spellings of their name, e.g. Timbaland may appear as both Tim Mosley and T.V. Mosley in the 2000s chart.





Source Data
| Song Writer |
Writing Credits |
| 1890-2008 |
|
| Babyface |
94 |
| Gerry Goffin |
96 |
| Eddie Holland Jr. |
97 |
| Carole King |
99 |
| Brian Holland |
102 |
| Lamont Dozier |
105 |
| Burt Bacharach |
105 |
| Hal David |
111 |
| John Lennon |
127 |
| Paul McCartney |
141 |
| 1960s |
|
| William “Smokey” Robinson |
61 |
| Carole King |
67 |
| Eddie Holland Jr. |
73 |
| Lamont Dozier |
74 |
| Brian Holland |
74 |
| Burt Bacharach |
76 |
| Gerry Goffin |
76 |
| Hal David |
79 |
| John Lennon |
86 |
| Paul McCartney |
86 |
| 1970s |
|
| Brian Holland |
28 |
| Neil Diamond |
28 |
| Robin Gibb |
28 |
| James Brown |
31 |
| Lamont Dozier |
31 |
| Carole King |
32 |
| Norman Whitfield |
34 |
| John Lennon |
38 |
| Barry Gibb |
39 |
| Kenny Gamble |
47 |
| Leon Huff |
48 |
| Paul McCartney |
52 |
| 1980s |
|
| B.Springsteen |
14 |
| B.Taupin |
15 |
| H.Knight |
15 |
| J.Vallance |
15 |
| D.Child |
17 |
| Babyface |
18 |
| D.Warren |
19 |
| *Prince Symbol* |
20 |
| D.Foster |
22 |
| J.Harris III |
26 |
| T.Lewis |
27 |
| 1990s |
|
| Madonna |
21 |
| L.A.Reid |
21 |
| R.Kelly |
21 |
| D.Simmons |
25 |
| T.Riley |
26 |
| *Prince Symbol* |
26 |
| J.Harris III |
45 |
| T.Lewis |
45 |
| D.Warren |
47 |
| Babyface |
69 |
| 2000s |
|
| A.Thiam |
17 |
| Jermaine Dupri |
17 |
| Marshall Mathers |
17 |
| S.Smith |
19 |
| T.E.Hermansen |
19 |
| J.Dupri |
20 |
| T.V.Mosley |
25 |
| S.Garrett |
26 |
| Tim Mosley |
28 |
| Pharrell Williams |
28 |
| Chad Hugo |
35 |
| R. Kelly |
37 |

The werewolf myth is one that has become iconic in popular culture. There are dozens (at least) of films about the full moon turning human beings into monsters from An American Werewolf in Paris to the classic from the 1950s, The Curse of the Werewolf. The legend of the werewolf can be traced back deep into literature and myth from around the world. In The Metamorphoses, Ovid writes of King Lycaon who is changed into a werewolf by the gods after eating tainted meat.
Although there is some evidence to suggest that full moons might cause changes in human behaviour, it is mostly anecdotal and too sporadic to be considered factual. For example, in 1978 a study called Human Aggression and the Lunar Synodic Cycle found that in “11,613 cases of aggravated assault in a 5-year period: assaults occurred more often around the full moon.” (source)
More recently, in 2007, Sussex police announced that they found a correlation between the incidence of violence among drinkers in the seaside town of Brighton.
“I compared a graph of full moons and a graph of last year’s violent crimes and there is a trend,” Inspector Andy Parr told the Brighton Argus newspaper. “People tend to be more aggressive generally. I would be interested in approaching the universities and seeing if any of their post-graduates would be interested in looking into it further. This could be helpful to us.” (source)
It should be noted that “in separate findings, [the Brighton] police also found that violence in pubs and nightclubs increased on paydays.”
Image: Full Crow Moon by Dave