Art Archive

The Kouklitas – Art Dolls with a Gothic Narrative

New York based artist Andrew Yang hand-makes these strange little dolls – named Kouklitas after the Greek word for doll koukla – out of muslin and hand paints their faces. There are different ranges of dolls, including a more commercial ‘Editorial’ line based on the collections of major fashion houses like Givenchy and Lanvin. Cooler and creepier are the ‘Collection’, which features a range of whimsical characters that look like they’ve been transported out of the stories of the Brother’s Grimm. Each doll has a name and, best of all, a narrative explaining who she is and how she came to be. The Gothic origin stories are often based in post-civil war New Orleans.

Of the Clora and Clarice doll (pictured above):

Cora and Clarice, Clarice and Cora. This set of unique twins was born in ante-bellum New Orleans to Irish immigrant parents Cieran and Cara McCarthy, who were reportedly barely making ends meet as music teachers. Before they were out of the crib the wonder twins were proficient in the violin and piano. Eventually they toured Europe; after their famous Dresden performance in a family induced interpretation of an opera ballet version of Swan Lake, their fame and wealth were cemented. Both girls maintained dozens of lovers, but they were always shared. Shortly after the twins settled in London at the peak of their careers, a certain Harold Hartfordshire blatantly favored Clarice, the more timid of the girls. After Mr. Hartfordshire was found brutally murdered in his York estate, Clarice shocked the world with her confession implicating her sister, therefore herself, in the horrible crime. They were tried and hung, and are noted to be “the first publicly executed set of conjoined twins.”

If you don’t fancy any of the collection dolls, Yang also creates custom dolls. But do they come with their own personal histories?

Image from the Koulitas website

Artes Mundi 2010

This year’s Artes Mundi exhibition opened at the National Museum of Wales, Cardiff last month. Since it’s conception in 2003, the international Artes Mundi scheme (and award) has celebrated and exhibited contemporary New Media Art from a wide range of cultural backgrounds and countries. The idea amongst all, to connect Wales to a global modern art sphere.

This year’s overall theme was ‘Humanity’. Eight artists have been shortlisted for the award, all of whom are exhibited at the museum. The modern works include video installations/films, photography stills, lightbox images and ink drawings – with only one painting.

Highlights include Peru-born Fernando Bryce’s work, which looks at the ways in which print media reports and covers historical events. Bryce questions the perceptions of history and the construction of what we take as fact. He does so by imitating print media and through appropriation of newspapers and various prints. The images he produces are beautifully hand-drawn in ink, and challenge how we read and accept ‘facts’ in the media.

Chen Chieh-Jen uses film and photography to portray working labour, the social history and the working people who have been forgotten amidst growing consumerism. Chen’s stunning film ‘Factory’ is a beautifully shot piece, highlighting the plight of a factory in Thailand, now derelict; a victim of cheaper labour elsewhere. Amongst the ghostly rubble and machinery, he places former workers, silent in their protest at the way they were treated/sacked; forgotten workers, whose toil and mundane drudgery were unfairly ignored. Chen gives them a voice despite their silence, through slow moving camera-shots amongst the cob-webs, the melancholic death of an industry.

The poetic camera-angles of the aesthetic are a stark contrast to the decay of the topic, or indeed, the corruption in consumerism he wishes to portray.

Other exhibits include video installations and works dealing with issues in immigration, post industrialism, collapse of the Soviet Union and the deconstruction of Zionism. With artists from Albania, Peru, Russia and Kyrgyzstan amongst others, the Artes Mundi successfully brings world class art to Wales and illustrates New Media Art’s worth in expressing serious contemporary issues facing the world today.

The Artes Mundi exhibition runs at the National Museum of Wales, Cardiff until June 6th. The winner will be announced on May 19th.

Image by Sian Prescott – of Yael Bartana’s poster Manifesto, which visitors are encouraged to take home with them.

Beautiful Living Postcards

A London-based company, A Studio for Design, has created a wonderful new way to send a greeting – the Postcarden. This lovely little idea is packaged to be sent easily by post, utilises the skills of local artists and is created using ethical packaging and materials.

For our first product we looked at the most universal gift – the greeting card. We felt that this conventional card lacked surprise, bringing only a momentary enjoyment. The arrival of a greeting card or letter in the post can always brighten up your normal mail and bring pleasure but once opened its role becomes commonplace and static.

This quirky gift is currently available in three designs – Allotment, Botanical and City – for the price of £7.50 each.

I can’t wait to see what this creative bunch rolls out next!

The Design Process Behind Classic Album Artwork

Storm Thorgerson is a British designer and artist responsible for more classic album covers than you can possibly imagine one person could create in a lifetime. From Pink Floyd to Audioslave, The Cranberries to Muse, he has produced the most compelling and memorable album artworks of the last 40 years.

An excellent exhibition of his artwork runs in the east-London Idea Generation Gallery from April 2nd to May 2nd, 2010. Part of the exhibition highlights his creative process for a specific case study. Check out the exhibition yourself to see the process in action and in detail. For now, here’s a quick overview:

  1. The Brief. The designer listens to the music (possibly only demos at this stage), reads the lyrics, and talks to the band. These create a ‘brain soup’, from which ideas can be extracted to form the brief.
  2. Roughs. Over a number of meetings/days, the designer meets the band again for discussions, in an attempt to pin-down a theme or big idea. This stage is creative, with word-play, honest thoughts, and scribblings. The best are converted to more complete illustrations (the ‘roughs’).
  3. Tests. Once a rough is accepted and a budget agreed, a prototype is often created to ensure that the idea works. Depending on the idea, this could involve the creation of scale models from clay or polystyrene. If everything works, the final models are constructed.
  4. Shoot. A location is researched and booked, possibly for a long-time if outdoors and in uncertain weather. Models are erected and positioned, with help from volunteers if the shoot is big and complex. A wide range of photographs are then taken, under varying light/weather conditions and filters.
  5. Editing. This could be called ‘selection’, where the best shot from the shoot is chosen. This can take several days, if hundreds of similar shots need to be compared.
  6. Artwork. Finally, having chosen the perfect shot, any cleaning-up or final computer editing is performed, before handing over the final product.

Written down like this, the process seems so simple. When you consider that some ideas involve 700 or 800 iron beds arranged on a beach with the tide approaching, you begin to appreciate that it might not be so simple after all.

London Shop Fronts

£1 Shop - Image by Emily Webber

Image by Emily Webber

London-based photographer Emily Webber has amassed a fascinating on-going portfolio of images of various shop fronts in London.

There is something so intriguing about these images, about the independent shops and businesses that are shown. So simple in concept, so layered under the surface. In a world which is dominated by big business and brands, the photographs seem to portray a dying world, a retro signed-existence that is too often forgotten or ignored. And like many urban photographical studies, it raises many questions about society. What does it tell us about our city life? What is the future for such a way of life? There’s chaos and grime, systematic of the city.

The collections are also a captivating look at various sign designs – graphics and typography, shop names from the random, to the ‘puntastic’, to the banal. From the american style to the classic italics. It’s like a life-size photoshop font collection of the present and yet also the past.

Beautiful. Melancholic. Urban. Dying. And yet, somehow, very much alive.

Image by Emily Webber. The London Shop Fronts web site.